We have some good news to share with you. The last copies of NEBEA (Nuevo Ensayo de Bibliografía Española  de Ajedrez. Autores: José A. Garzón, Josep Alió & Miquel Artigas. Valencia, 2012) are currently available for purchase at a special price.

Member of CH&LS can buy both the Deluxe and Collector's edition, with an additional discount (-5%) through online shop:

https://www.dabudaehome.com/gb/chess-books/101-nebea-nuevo-ensayo-de-bibliografia-espanola-de-ajedrez-luxury-edition-9788493570194.html

During the buying process the system will ask do you have a promo code? You must then introduce CH&LS for the discount to be automatically applied.

About NEBEA:

The New Survey of Spanish Chess Bibliography (NEBEA) is an arduous work of research in which the authors cover 8 centuries of Spain’s history and culture through Spanish books and manuscripts, most of which are widely unknown, about the game of chess. It is a completely thematic bibliography, since all the Spanish chess (XIII-XX centuries) works are investigated in it, with a complete and rigorous study of each of them, and with the incorporation of original images from all of them, something of extraordinary interest, without any comparable antecedents in the vast field of the humanities. It is, in short, a work of remarkable interest for the chess scholars.

Technical summary of the book:

• Very important news about Scachs d´amor, and the books of Vicent (1495), Lucena (c. 1497), Damiano (1512-1564), Ruy López (1561), including biography of all of them
• 1001 footnotes, 664 pages
• 266 images, many never published. Numerous diagrams and photographs
• Index, tables, and Glossary
• Deluxe Edition and Collector´s Edition

See also:

• NEBEA, New Essays on Spanish Chess Bibliography

José A. Garzón, Josep Alió & Miquel Artigas

On the eve of the Saturday auction Adelheid Klittich-Pfankuch and our board member Dr. Karl Klittich invited the CH&LS members and guests to celebrate the 100^th Anniversary of the antiquarian bookshop Karl Pfankuch, founded in 1919.

Karl explained in a short speech the relation between the Klittich-Pfankuch auction house and the still existing Karl Pfankuch & Co, nowadays a renowned stamp & coin dealer.

https://www.pfankuch-briefmarken.de/

Also Karl summarized, how our late friend Roger Klittich, a lawyer by training, had started the auction business. Just be chance, as a great number of confiscated Russian Icons had to be auctioneered for the Brunswick authorities.

by Morten Lilleören

Regarding the Lewis chessman up for sale at Sotheby’s 02 July: Here is a link to the catalogue:

https://www.sothebys.com/en/buy/auction/2019/old-master-sculpture-works-of-art/attributed-to-the-lewis-chessmen-workshop-probably

[The Lewis Chessmen sold at auction for £735000: The Guardian]

I will give a few comments about the catalogue note here, but more facts and arguments about the Lewis chessmen are contained in the attached articles. These articles were originally published in 2011/12 on the websites of ChessBase and the Chess Cafe. However, the articles are now either completely or partially inaccessible. They are therefore republished. They contain lots of facts around the Lewis chessmen and their origin. The articles were a part of a polemic. Their main criticism was the lack of historiographical craftsmanship behind the notion about an Icelandic origin - claiming that the authors of the ‘theory’ took the liberty of suppressing inconvenient facts while at the same time adding fiction when regarded necessary.

On 3^rd of June this year new tidings from Sotheby sent out a wave of excitement among chess historians and collectors: A new piece belonging to the Lewis chessmen had surfaced. Estimated price goes up to 1 mill £. Here is a link that contains both images and a film:

https://www.bbc.com/news/uk-scotland-edinburgh-east-fife-48494885

In the narrative following the images we are told: «A family spokesman said in a statement: "My grandfather was an antiques dealer based in Edinburgh, and in 1964 he purchased an ivory chessman from another Edinburgh dealer".» This states that none of two Scottish antique dealers in 1964 had any knowledge about the shape of the Lewis chessmen, of which 11 are to be found in the National Museum situated in the same town as they had their business. And the narrative further states: «It was catalogued in his purchase ledger that he had bought (as) an 'Antique Walrus Tusk Warrior Chessman'.» How could the dealer manage to classify it as a warrior chessman without knowledge about the Lewis chessmen? On Scottish soil, the Lewis chessmen are the only chessmen remotely similar to this piece. And why did they travel all the way to Sotheby in London for an evaluation of the figure when they were situated in Edinburgh? In fact – why did they not choose the National Museum of Scotland, which have renown expertise on medieval chessmen? I cannot imagine that two antique dealers in Scotland was unaware of the shape/existence of the Lewis chessmen, and that the whole family remained in the dark for 55 years, especially at a time when Scottish politicians campaigned in order to force the British Museum to give the chessmen to Scotland. These figures were close to front page news in Scotland. In conclusion: There are reasons to question the recent history of the chess figure.